Yeonhongcha Shares Soulslike Philosophy and Views on Dessert Excellence Ahead of 'Beast of Reincarnation' Ending

They had ordered Samseon jjajang for themselves at a Chinese restaurant, but the delivery was regular jjajang instead of the Samseon jjajang the superior had wanted. The superior scolded them, saying, "Yeonhongcha, how can you order Samseon jjajang and get regular jjajang?" Yeonhongcha responded by telling them to call the restaurant directly, and the episode was cited as an example of the absurdity of the situation at the time. The superior was reportedly gone from the company three months after this incident.

They also introduced their own unique recipe of topping cheesecake with mayonnaise, natto, and kimchi. They added that a professor once understood their eating habits and enjoyed them together, sharing an episode about their unusual eating habits.

After checking that a whole Basque cheesecake costs 35,000 won, Yeonhongcha hesitated for a moment. They compared the price to seven Isaac toasts and expressed their concern about the purchase. But soon they said, "I'll have to eat this instead of a meal," and decided to order the cheesecake after all. They revealed they had already been eating cheesecake for a week, and used the rationale of eating it instead of a meal to justify ordering it.

Yeonhongcha explained the differences between Osaka-style and Hiroshima-style okonomiyaki in detail. Osaka-style mixes all the ingredients together before cooking, while Hiroshima-style is built up layer by layer. They warned that calling Hiroshima okonomiyaki simply 'okonomiyaki' could provoke the anger of Staff-chan. They stressed that this is a forbidden term that will get you on Staff-chan's bad side and must never be used. This anecdote suggested that Staff-chan holds a particular attachment to or standard for Hiroshima-style okonomiyaki.

While platforms like Naver Cafe let you move posts wherever you want, Discord has no such function, and they complained about the difficulty this creates for managing posts. They said, "I want to move all the posts that don't fit, but I can't," revealing that this is a major inconvenience in running a Discord server. This highlighted the need for efficient post sorting and organization from a community manager's perspective.

This went beyond personal taste and showed a firm perspective on dessert culture.

They noted, "I figured I should check the taste, so I ordered slices. Still, I ordered two slices," mentioning that they approached it cautiously. This showed an attitude of carefully checking the actual taste when trying a new food, and they expressed satisfaction once they had confirmed it.

This anecdote revealed an unexpectedly poor physical stamina that differs from their usual image and drew sympathy from viewers.

Expressing frustration, they said, "I played for 40 hours and I still couldn't get out of that green zone." They added that they are currently struggling with game progress by repeating that section again, sharing their experience of the pain and repeated failure that Jump King brings.

Yeonhongcha said they don't like Soulslike games that have a teleport feature. They stated their philosophy, saying, "I just don't like it when Soulslike games have a teleport feature. I think people should keep walking without teleporting and suffer through it." Naming 'Dark Souls 1' as their favorite Soulslike, they argued that Soulslikes with teleport features prevent players from sharing the game's essential pain. They stressed that growing through directly experiencing suffering is the core value of Soulslike games.

They expressed anxiety about Kuu's fate, saying, "I actually hope that's not the case." This reflected both deep immersion in the game's progression and sympathy for the tragic situation of the characters.

Yeonhongcha noted that the character Kagura seems to have more presence in the game than the protagonist. Saying, "Doesn't Kagura feel like the real protagonist? That's really how it feels. Kagura really seems like the main character," they raised the question of whether the protagonist is not truly the main character after all. They referenced how the role of series protagonists changed after Pokémon Scarlet and Violet, expressing curiosity about the roles and weight of characters in the game.

This showed curiosity about both the game's twists and its complex character relationships.

This expressed a personal impression of the identity of Soulslike games.

This gave useful context for understanding the game's overall narrative.

They rated the difficulty as "way too easy," but praised the graphics as "really good." They were also highly satisfied with the flashiness of the combat motions. They pointed out some bugs as a drawback. Still, they rated the storyline itself as excellent, saying, "It's really moving and clearly shows what they're moving for." They noted that viewers expecting hardcore action like Elden Ring might be somewhat disappointed, but emphasized that overall it is a well-made game.

Yeonhongcha summarized that the decayed animals in the game were all originally people. They said, "To sum up, these decayed animals were all people." They explained that those infected by the Beast of Reincarnation who develop markings like Ema survive, while those who do not mutate into creatures like Kuu and the other animals. This clearly revealed the relationship between the Beast of Reincarnation and the infected, as well as the tragic setup of the game's world.

Yeonhongcha noted that the game's major boss characters all share a common backstory of losing family. They said, "Shidou had a younger sibling, Kuui had a younger sibling too, and so many of them failed to protect their families," adding that these tragic backgrounds make Ema's values stand out even more. This suggested that the stories of characters who failed to protect their families make Ema's journey even more dramatic.

This showed a lack of understanding of a specific mechanic in the game.

They said, "I didn't give this game a bad review at all. I thought it was a good game and well made," expressing satisfaction with the story structure. They also compared it with Stellar Blade when discussing the strengths and weaknesses of its narrative, intending to explain where 'Beast of Reincarnation' stands among similar genre games through subjective commentary on the game's storytelling approach.

They said, "If you pick a female character, the rival is male, and if you pick a male character, the rival is female. I once cursed and said, what is this?" They also pointed out cases where a character's appearance and voice don't match, saying that feedback on such details is needed during game development. This criticized the system limiting players' freedom of choice and raised questions about the consistency of character design.

Discussing an upgrade to their broadcasting equipment, Yeonhongcha said they wanted better gear even though the equipment they had been using was not bad. They said, "The microphone is nearly the ultimate," stressing that the microphone they currently use is top-tier for broadcasting. In this context, they used the unusual expression 'Gen Z pulled full', linking a specific standard to whether someone is 'ssalmeok' (a freeloader). This showed their passion for content creation and high standards for equipment.

Yeonhongcha announced that the next broadcast will feature the game 'Best of Reincarnation'. They said, "Like I mentioned, tomorrow I'll be playing Beast of Reincarnation. It's an incredibly fun game," building viewers' anticipation. They added that it will proceed focusing on the heroine route stories without any 19+ settings, and that no particularly racy scenes will appear. They revealed they are considering playing the game on YouTube as well, sharing concrete plans for the next broadcast.